Kraftwerk Design - Documenting A Day in the Life
A Red Canary interview with Director Todd Peterson


Red Canary gets the Call
In July of 2005 Red Canary Productions was asked to produce a short documentary on just what life was really like at Kraftwerk Design. The documentary was then to be shown at Kraftwerk's annual open house, and later to be used as part of their promotional package sent to potential clients.
Click here to watch the movie

Developing Characters and a Story
"We knew we wanted a character driven story, not just a bunch one-liners or shots of people trying to be funny." To make that idea happen Red Canary facilitated a brainstorming session with everyone at Kraftwerk, where the no poopoo rule was put into effect and ideas flowed like honey.

"From my initial meeting with Thomas, I knew there were certain things about the people that I wanted to key in on, for example, Brian really loves fruits and vegetables, Heather makes really bad coffee, and Quincy is a pop culture junkie. So during our brainstorming sessions I asked a bunch of loaded questions to try and draw out each person's personality. I was looking for things to exaggerate on - to build characters."



A full day of production

The shoot started at 7:30am with shots of Quincy driving into the studio on his scooter. "We wanted to introduce the characters in a way that was real, but also a bit funny."
Then we just kept on shooting until about 5:30pm. We were all pretty pooped.


Discussing the Lunch Wheel Shot

Putting it together in Post
We started post production with over fours hours of raw video, a rough script, and a six pack of vanilla coke.

"The post production work flow was great. I was back at the The Nest editing and scoring the sound track, while the designers at Kraftwerk were working on the design elements of the piece like the titles and end credits. We would use Kraftwerk's FTP server as a place to exchange files. So I would finish up a rough cut of the foosball sequence, drop it on their server, and start working on another part of the project. As soon as the file had finished transferring, I'd shoot them over an email to let them know. They could then sit back and watch it and send over some more feedback.



Johnny assisting as Boom Operator.

 


The guts, the glory, the foose.

The Fooseball Sequence
These guys are nuts about foosball. I've never seen more passion, and enthusiasm for the game. I think the movie gives a pretty accurate portrayal.


Creating a Soundtrack
We knew we wanted an original soundtrack from the beginning. Something that would enhance the time lapse sequences, but also not be to distracting for the rest of the movie. We turned to Apples Sound Track Pro and it went excellent.

"We were able to just bring in the current sequence right into Soundtrack and just score the music right to the different beats of each scene. Pretty sweet!"


Story boards

Even though the film was a documentary, it was actually sort of a drama based on real life. Todd sketched out pages of story board frames in his moleskine journal a couple nights before the shoot.


Tools Used In Production

Canon XL-1
Bogen Tripod
Sennhiser ME-66 Boom Mic
Apple's Final Cut Pro HD
Apple's DVD Studio Pro 3
Adobe After Effects 6.5
Adobe Photoshop
Adobe Illustrator
Apple's SoundTrack Pro
Lowel & Briteck Lights
Apple G5
Apple 20" Cinema Display
Volkswagen Vanagon "Production Mobile"


Designer Interviews
Are the interviews real?
The interviews were based on answers to a bunch of questions that I asked the group during a brain storming session.
There response in the movie were all based off of exaggerations from real stuff. We all had a little fun with it.


Thomas, Todd, and Brian discussing Cinéma Vérité.

Find out more information about Kraftwerk Design by visiting: kraftwerkdesign.com

Time lapses
Right away I knew I wanted to do some time lapses for this project. A few months earlier I had been experimenting with some time lapse stuff while I road my bicycle downtown. Everyone loved it.


So the question with this projects was how do we show an 8 hour day in 6 minutes? The time lapse was the natural way to show the ins and outs of the studio, without boring the audience.


Click here to watch the movie